How to decorate the ‘Kalash in a saree’ for Vara Maha Lakshmi Pooja

India’s colorful and varied festivals serve as a testament to our rich heritage and culture that provides individuals more than a momentary break from their routine. A festival is a means of bringing a sense of jubilation and passion to life. The deepest parts of life may be reached via a celebration. The Sanatan Dharma is referred to as the religion of holidays and celebrations. These holidays are more than just occasions for joy and fasting; each one is a multidimensional celebration with a deep underlying meaning. Each and every event has a unique meaning. The day that a festival is observed has specific astrological importance, and some rituals performed on certain days have several advantages. Among these festivals lies the festival of Vara Laksmi Pooja which is celebrated in remembrance of Parvati’s commitment to and love for her husband, many married women started fasting for the health of their families, and their husbands, and their future generations. One of the widespread notions is that honoring the goddess Varalakshmi on this day is equal to praying to Ashtalakshmi, also known as the eight goddesses of wealth, fame, peace, pleasure, and strength. 

In the southern states of Tamil Nadu, Karnataka, Andhra Pradesh, and Telangana, people—particularly women—worship Varalakshmi, also known as the one who bestows desires or boons. In the Hindu calendar’s Shravana month, the event takes place on the Friday before the full moon day. 

They refrain from a variety of meals throughout the day, which varies according to the area. For instance, while there are no regulations to follow in certain areas, in others ladies are only provided Thamboolam, a concoction of slaked lime, betel leaf, and areca nut. They practice Varalakshmi puja, in which they present the goddess with flowers, sweets, and fruits (known as Vayana). The goddess is represented with a brass “Kalash” that is covered in a saree and has a swastika sign carved on it using vermillion and sandalwood paste. The “Kalash” is filled with rice or water, money, betel nuts, and five various kinds of leaves. At the mouth of the vessel, mango leaves and coconut with turmeric on it are placed, along with flowers and gold kept in front of the pot as presents to the goddess. The water from the pot is spread throughout the home the next day, and the raw rice grains are utilized to make dinner for the family.

The saree and blouse being offered to the god are frequently referred to as “Oti Bharane”. 

It is customary to choose a red saree with zari that is preferably made of soft silk since it makes it simple to fold and drape the Goddess. Purchase a silk saree in a deep pink or red hue with a medium to the thin border for this occasion. The border may be used to create gorgeous, rich pleats for the Kalasam. You may now start pleating the saree after filling the Kalasam with the required components.

Before draping the saree around Kalasam let us make the Kalasam ready for that procedure:

  • Take a stick whose length is twice more than the Kalasam width. As soon as you have done that, fasten this stick to the Kalasam’s mouth so that its two arm-like ends point forth.
  • To make room for the saree, the arms-like stick must be positioned towards the back of the Kalasam’s mouth. For the stick to be firmly fastened and to prevent slipping, use a lot of wire and masking tape.

There are predefined steps as to how to neatly drape the saree around Kalasam that are given below:

  •   Start creating saree pleats from the inside out, leaving space for the pallu when you have enough length.
  • The tough thing now is to pin up the pleats on both ends using thread or a safety pin. Hold the saree while it is still pleated and fold it once they are safely in place. Check to make sure it is not folded in half, but rather that one piece is longer than the other and slightly overlaps it. Use a thread to bind this center section together.
  • The saree should now be set. Taking the folded saree, you must now carefully knot the tied-up part to the mouth of the Kalasam and position it where the saree is folded. In order for the shorter, bunched pleats to cover the longer, pleated area, make sure they do so. Once the saree is securely fastened with thread around the Kalasam’s mouth, only then should the pins at the ends be opened. It will now appear as though the saree is a double-layered pleated skirt.
  • Now, unfold the pleats to see how beautifully they surround and cover the bottom to the top, and how the smaller pleats also fall in front to create a lovely second layer. 
  • The remainder of the pallu length should be folded into tidy little pleats and brought over the left stick as if it were the shoulder. It should then be brought over the back and over the right stick while remaining folded into pleats. It is also possible to cross it across the front and pin it there. Make sure the pallu fully encloses the sticks. Tie the cord here to resemble a waist. The waist region will serve as the Kalasam’s foundation. You’ll eventually cover this with some kind of decoration, perhaps a necklace that can go around the entire thing.
  • Now the saree is fastened well. Alternatively, you might add a long garland that hangs by the side or a separate golden ornamental cloth. 
  • Include a lot of jewelry. Now that the front of the Kalasam is sufficiently covered, you must make sure that the rear is equally covered. To do this, you might use the blouse material, form pleats, and cover the back as well.
  • If you choose, you may also tie a braid around the Kalasam’s neck and embellish it with flowers or other metallic accents.
  • At this point, you must add the “Ammam Mukham,” which may be added with or without the coconut on top of the Kalasam.
  • The deity will naturally become more elevated and the saree will be able to obtain a magnificent fall if it is placed on a Chowki with a banana leaf, making the overall construction of the deity appear even bigger and grander.

In order to receive Varalakshmi’s blessings, celebrate the Vara Mahalakshmi Pooja with all delight and excitement in 2022.

Happy Vara Mahalakshmi Pooja!

 

Cover pic credits : https://www.instagram.com/kasturi_venkat/




याद है क्या तुम्हें तुम्हारी वो नीली साड़ी | Saree Poetry – Mahi Kumar

याद है क्या तुम्हें

तुम्हारी वो नीली साड़ी,
उस पर तुम्हारी मुस्कान
समझ नहीं आता के
पहले तारीफ़ किसकी करूं…
उस साड़ी में तुम लग रहीं थी
एक नील पत्थर
वही नील पत्थर,
जो अब तुम से ज्यादा
मेरे सपनों में आता है…
वही नील पत्थर जो केवल
मेरे सपनों की दुनिया तक सीमित है,
आँखें खुलने पर सपनों की तरह
जो पल में ओझल हो जाता है…
जिसकी चमक आंखे खुलने नहीं देती
और ख़ूबसूरती आँखें फेरने नहीं देती
जब नीली साड़ी में देखता हूँ तुम्हे
वही नायाब नील पत्थर याद आता है..




Mallika’s Lavender Sequin saree

Mallika Sherawat has always been known for her fascinating styling. The actress recently appeared with an ethnic look.
She wore stunning lavender sequin sari by Irrau-Samir Mantri at the premiere of the movie Rk/Rkay.

She wore a matching sequin tank top. Mallika chose earrings and lavender bracelets as accessories.

She added clear eyebrows, subtle shimmering eyeshadow, and a deep red tint to her lips.

Looking for more Sareeing ideas? Don’t forget to visit her Instagram account.




Unique Style of “Cut Out Back Blouse”

If you’re a sari enthusiast and want to make a statement with season’s blouses, cutout blouses will surely rock you. Incorporate cutouts into a variety of stylish designs to easily distinguish and stand out from regular cutout blouses.

Anushka Nair combined this trending cutout blouse with an appliqué tant saree. And the tassles are handmade with “punja dhurrie” weaving technique.

The design of this blouse has captivated many sari influencers.

If you are looking for the most unique blouse, this is one of the best blouse designs to go with.

More from others:

Blouse back design ideas Divi cut-out

Cut-out saree blouse design

 



 

The Saree – Between Objectification and Professionalism – Nivi Jaswal

“Own, Embrace, and Claim”

An Indian woman’s personal narrative of reclaiming her cultural and professional identity…!!!

Women are everywhere, from professions and schools to homes and communities. Women’s empowerment is described as fostering women’s self-esteem, ability to make their own decisions, and right to affect societal change for themselves and others. Be it through their choice of career, decisions for their personal life, or their attire. When women have power over themselves in any aspect of their life that is when we can finally say we have achieved the goal of empowering women.

People and groups are empowered when they have a high level of autonomy and self-determination. This allows individuals to act on their own authority and represent their own interests in a responsible and self-determined manner. Everyone deserves the freedom to wear whatever attire they feel comfortable and empowered in, but we still face backlash and have restrictions even on clothing. In my case, I have always been an admirer of Saree. From the very beginning, it has fascinated me to my core and I always wanted to showcase its beauty to others as well.

When I lived in Europe, a manager once forced me to remove my nail paint at work because he thought the hue was too Indian. “This is Europe, we don’t celebrate Diwali here, your nails are much too gaudy, this isn’t India,” he said in the middle of a meeting. In order to put things in perspective, I had my nails done in a salon in Moscow. They were a delicate pink with lotus blossoms painstakingly painted by one of Russia’s top nail artists.

On another occasion, while on a regional assignment in Asia, I was reminded that wearing a Saree is not corporate and that I should avoid Henna (also known as Mehandi) on my hands during a family function since my hands will not convey enough professionalism when I return to work.

I’m wearing a black Phulkari saree in the photo above, which was taken on the occasion of Karwachauth. Rural Punjabi artisan ladies sewed this exquisite Phulkari saree. On the other hand, on the occasion of Diwali, I am dressed in a blue Maheshwari silk saree.
The elegance of these flowing sarees enchanted me.
Above is my picture with henna on my hands while I’m wearing a lovely blue Maheshwari handcrafted design sari with traditional Kundan jewelry. I want to show this to all those who think showcasing and embracing one’s culture is not professional enough.
I want to convey this to all those who are holding back from embracing what they love just because they fear others are going to judge.
None of this has anything to do with my capacity to work to do independent research, hold professional conversations, work in or outside of the corporate sector, attend business school, participate in panel debates, or create a business.

I hope to inspire women from all walks of life, regions, and cultures to find within themselves the courage to wear symbols of their own inheritance and identity. Whether it’s a piece of clothing, jewelry, an heirloom that your ancestors left you or even the right to wear your hair in a way that’s culturally significant for you. When women step into their own, they give an opportunity for their inner Shakti to shine, and when even one of us shows courage, breaks a ceiling or walks our own tall talk – it offers much needed role models for others to follow suit.

Nivi Jaswal

Founder and President – The Virsa Foundation Inc.
Visit : YouTube & Spotify




Unique Style of Saree Draping – Kamal Kapur

I can’t pinpoint when my passion for Six Yards began. But as it is said a child always tries to copy what their elder does so the same happened to me,
I was fascinated by the beauty of sarees as I watched them being worn by my mother. I recall waiting for mum to go to her social event when I was a pre-teen.
I would immediately drape her dupatta as a saree and roam about the house the moment she stepped out of the home. Even though they are far away from being what a saree is, the feeling of a garment wrapped around me giving an illusion of a saree was enough for me.
I had no idea what pleats were; all I knew was that the piece of material went around you twice and the Saree was finished. It was tough to move around with that two-layered drape, but I’ve always imagined that the Saree represents femininity, and the modest steps experienced with the drape just added to that impression.

I had always wanted to embrace that femininity within me. This garment has always been more than an untailored fabric piece for me. Saree bringing out the feminine traits at their most subtle in every manner conceivable and also being comfy was enough for me to get charmed by it.
My mother was never a big fan of draping sarees. She enjoyed collecting and purchasing them. She, on the other hand, never liked wearing one. She owns sarees from nearly every region of India, some of which must be over 50 years old. And it was only because of her that I was able to get my hands on this incredible collection of sarees from all around India.

When I started working in the hotel sector, I learned how to drape a saree. As the old adage goes, practice makes one perfect.
In seconds, I perfected the technique of draping a saree.
The hospitality uniform was changing throughout the 1990s. In their consistent style, they did not intend to follow the conventional Saree draping. That’s when the designers showed up. They designed their own colors, patterns, and style for the saree. The draperies were stunning. Ravi Bajaj, the designer of the Hyatt Hotel in Delhi, where I was working at the time, comes to mind. He provided us a jacket to wear over the saree, and he allowed the Gujarati style front pallu to go up in a bib manner on one of the sarees.

I didn’t have a distinct collection of sarees that I could call my own up to that point.
My trousseau is where I began my Saree collecting. I didn’t want any designer sarees in my collection; I just wanted traditional sarees. Patola, Gharchola, Jandhani, South silk, Kanjeevaram, Mukaish work Saree, Bandhani, Paithani, and other sarees were among the items I purchased. I have yet to try on several of these sarees. They’re big and bulky, and I’m still not sure how to drape them. So I’m still adjusting to them, and it’s a work in progress for me.

The six yards continue to be a favorite of mine, and I enjoy arranging the drape in my own unique style.
The fact that I despise shopping for my other garments explains my fondness for the six yards. Such is the power of the sarees’ enchantment over me. My #desicloset is meeting all of my needs in terms of catering to all of my social occasions.

Kamal Kapur




Viral Saree pictures of Shweta Tiwari

Shweta Tiwari has recently done her bold photo shoot.

The actress is wearing an off-white color saree in these pictures paired with a deep-neck blouse.

Pics source : https://www.instagram.com/shweta.tiwari/